INDIGENOUS FEMINISM, THE LAND, AND ORIGINS OF GENDER OPPRESSION
I walk in the history of my people, Chrystos
There are women locked in my joints
for refusing to speak to the police
My red blood full of those
arrested, in flight, shot
My tendons stretched brittle with anger
do not look like white roots of peace
In my marrow are hungry faces who live on land the whites don’t want
In my marrow women who walk 5 miles every day for water
In my marrow the swollen faces of my people who are not allowed
to hunt
to move
to be
In the scars on my knee you can see the children torn from their families
bludgeoned into government schools
You can see through the pins in my bones that we are prisoners of a long war
My knee is so badly wounded no one will look at it
The pus of the past oozes from every pore
The infection has gone on for at least 300 years
My sacred beliefs have been made pencils, names of cities, gas stations
My knee is wounded so badly that I limp constantly
Anger is my crutch
I hold myself upright with it
My knee is wounded
see
How I Am Still Walking
read:
CALIBAN AND THE WITCH: accumulation of labor and the degradation of women
Sylvia Federici